To make each bird start flapping its wingsįrom a different frame in the layer, use Relative Random. While this may be realistic for a marching band, it is not realisticįor a flock of birds. Of 0, the flapping wings for all the instances of the bird are synchronized. Specifies how you want to use the frames of a multiframe layer.įor example, if you are using a layer of a bird flapping its wingsĪnd you choose Relative for Time Offset Type with a Time Offset When you explode particles, the new particles inherit the position, velocity, opacity, scale, and rotation of the original particles.Īfter layers or particles explode, Gravity, Repel, Wall, and Property Mapper controls influence the movement of particles. To change the position of the exploding layer, precompose the layer with its new position (use the Move All Attributes Into The New Composition option), and then use the precomposed layer as the exploding layer. The Layer Exploder does not create particles where the source of the layer is transparent. If the source of the layer is a nested composition, you can set different Opacity values or In and Out points for the layers within the nested composition to make the exploding layer transparent at different points in time. If you want to start or stop a layer explosion, animate the Radius of New Particles control by using keyframes so that its value is zero at times when you don’t want particles to be created. By default, this creates a continuous shower of particles for the duration of the composition. The cards in the black area initially appear at the left,Īnd the cards in the white area initially appear at the right.Ī layer is exploded once for each frame. Source for X Position, and set X Position Multiplier to 5, and animate Right, and the other half to come in from the left, create a gradient If you want half of the cards in a layer to come in from the The cards in the bottom row rotate almost 90° forward, and cards Is set to 90, the cards in the top row rotate almost 90° backward, Pure white equals 1, pure black equals –1, and 50% gray equals 0.Ĭard Dance then multiplies that value by the X Rotation Multiplier It assigns a numeric value to the center pixel of eachĬard on the gradient layer, based on the intensity of the pixel. The intensity of the gradient to animate the x-axis rotation of Select Intensity 1 from the X Rotation Source menu. On top, white on bottom) from the Gradient Layer 1 menu, and then The perspective of the effect in any scene by corner-pinning.įor example, select a vertical grayscale gradient layer (black To set the view, use the rotation or perspective controls, or match GPU and GPU driver requirements for After EffectsĪpply Card Dance to the layer to use for the front of the cards.How After Effects handles low memory issues while previewing.Use Frame.io with Premiere Pro and After Effects.Collaboration in Premiere Pro and After Effects.Collaboration: Frame.io, and Team Projects.Creative Cloud Libraries in After Effects.Working with After Effects and other applications.Using the GoPro CineForm codec in After Effects. Rendering and exporting still images and still-image sequences.Automated rendering and network rendering.Export an After Effects project as an Adobe Premiere Pro project.Preview changes to 3D designs real time with the Mercury 3D engine.Construct VR environments in After Effects.Use expressions to edit and access text properties.Syntax differences between the JavaScript and Legacy ExtendScript expression engines.Compositing and transparency overview and resources.Setting, selecting, and deleting keyframes.Animating Sketch and Capture shapes using After Effects.Managing and animating shape paths and masks.Animation, Keyframes, Motion Tracking, and Keying.Cameras, lights, and points of interest.
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